The Sedona International Film Festival will present the next Met Live Opera presentation of Gioachino Rossini’s “Semiramide” on Saturday, March 10. There will be two shows that day at the Mary D. Fisher Theatre: 11 a.m. (live simulcast) and 4 p.m. (encore).
Plan to come early as Ginny Fox will lead a pre-opera talk one hour before each production (10 a.m. for the morning show and 3 p.m. for the encore).
This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.
The high priest Oroe opens the Babylonian temple of Baal, as Idreno, an Indian king, pays homage. Assur, a prince descend¬ed from Baal, brings offerings in hopes that the queen will choose him as successor to her late husband. Queen Semiramide enters, but with a flash of lightning, the sacred altar flame goes out. Believing this to be a bad omen, Oroe warns that the ceremony should not proceed. Arsace, captain of the Assyrian army, arrives in answer to a summons from the Queen. He warmly recalls his beloved Azema, whom he once rescued from barbarians. He entrusts a casket from his late father to Oroe, but when Arsace learns that Assur is a suspect in his father’s murder, he faces the older man. When Arsace tell him that he will ask Semiramide for Azema’s hand in reward for his bravery, Assur warns that Azema has been betrothed since birth to Ninia, the missing crown prince. Arsace is defiant in his love, and Assur admits his own desire for Azema.
In the Hanging Gardens, Semiramide looks forward to seeing Arsace, whom she herself hopes to wed. She receives a message from an oracle stating that she will regain peace of mind with a new marriage. When Arsace enters, she tells him that she is aware of Assur’s ambitions for the throne and will not permit him to wed Azema. Arsace believes the queen knows of his love for Azema, but Semiramide mistakenly thinks that Arsace’s ardor is meant for herself.
In the throne room, Semiramide announces that Arsace will become both king and her husband. The news comes as a surprise to everyone, especially when the queen promises Azema’s hand to Idreno. Thunder and lightning signal the gods’ displeasure, and the ghost of the fallen King Nino appears. He announces that Arsace will reign, but only after a victim is sacrificed in atonement. Fearlessly, Arsace vows vengeance, but the apparition vanishes, warning Semiramide not to follow until her time has come. The crowd wonders what guilty person could have angered the gods.
In a hall within the palace, Assur reminds Semiramide that he arranged Nino’s death so that she could ascend the throne and that she promised her hand in return. The queen repudiates his claim and says that if her son were alive, he would help her. Assur is determined to be avenged.
In the sanctuary, Oroe tells Arsace that he is actually the crown prince Ninia and shows him a scroll written by the dying Nino identifying Assur and Semiramide as his assassins.Arsace accepts the duty of killing Assur but cannot bring himself to take his own mother’s life.
Azema mourns the loss of her beloved, but when Idreno appears, she realizes that Arsace hasn’t married the queen yet.
Idreno hopes Azema will eventually accept his love. Semiramide and Arsace enter, but he says the he cannot go through with the marriage, showing her the fatal scroll. Guilt stricken, she bids her newly rediscovered son to kill her and avenge his father, but Arsace hopes that the gods will spare his mother.
Outside Nino’ tomb, Assur learns from loyal conspirators that Oroe has frightened the people with omens, and their chance to seize the throne is lost. Assur plans to hide in the tomb and ambush Arsace but becomes frightened when he has a vision of an iron hand brandishing a sword. Fearing he has gone mad, his cohorts are relieved when the apparition fades and he regains his composure.
In the vault beneath the tomb, a group of priests awaits the traitor who will try to violate its precincts. Guided by Oroe, Arsace enters the vault and conceals himself to await his rival. Assur appears, and Semiramide descends in hopes of saving Arsace. Wandering about in the dark, all three feel faint with fear. When Oroe tells Arsace to strike, he accidentally fells Semiramide, who has stepped between him and Assur. Oroe orders Assur to be arrested and stops Arsace, who despairs at having unintentionally killed his mother, from committing suicide. The people rejoice in the gods’ victory and implore Arsace to assume the throne.
The Met Live Opera’s “Semiramide” will be shown at the Mary D. Fisher Theatre on Saturday, March 10 at 11 a.m. (live simulcast) and 4 p.m. (encore). The pre-opera talks will take place one hour before each show. Tickets are $25 general admission, $22 for Film Festival members, and $15 for students. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org